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Summer/ Fall 2015
d33
Features
Jean-Michel Basquiat: Now’s the Time was the first major retrospective of the artist’s work in Canada, and was guest-curated by renowned Austrian art historian, curator and critic Dieter Buchhart. Steve Rockwell reports.
Described as the queen of art exhibition, since 1985 Katharine Carter and her company KTC & Associates will have booked over a thousand museum, university gallery, and commercial space exhibitions across the United States. D. Dominick Lombardi speaks with Ms. Carter as her company nears its 30th Anniversary.
Emese Krunák-Hajagos surveys the work of Toronto landscape painter Steve Driscoll in his exhibition, Smoke Show and Other Deceptions in Paint at Angell Gallery. The tradition of the landscape as an inspiration to Canadian artists has experienced a regeneration in recent years with the influx younger talent.
Reviews
An exhibition of artists curated by Robert Curcio and organized Katharine T. Carter & Associates for Elga Wimmer PCC in New York City by Dominique Nahas
Esther Naor at BOSI Contemporary in the Lower East Side, NYC by Robert Curcio
Gloria Garfinkel at the George Walter Vincent Smith Art Museum in Springfield, Massachusetts by Christopher Hart Chambers
Mary Hrbacek at Creon in New York City by Jonathan Goodman
The 20th International Symposium on Electronic Art in the United Arab Emirates by Sabrina DeTurk
An Interview with Korean Artist Bong Jung Kim by D. Dominick Lombardi
An Interview with Korean Artist Kyujung Kim by D. Dominick Lombardi
Magazine Articles
w/ images and publication details
dArt Magazine cover image
Fall 2014
d32
Features
The exhibition Peter Doig: No Foreign Lands at the Montreal Museum of Fine Arts was a blockbuster’s blockbuster in the opinion of correspondent Veronica Redgrave. Created over the past 10 years, it showcased over a hundred works that included 40 major paintings.
The return of formalism, particularly painted abstraction, has prompted Steve Rockwell to revisit our definitions of modernism and its post incarnation. References from the works of Francis Bacon, Peter Doig, and Stan Douglas have been helpful in his framing modernism from a broader perspective.
The Contact exhibition at the Honolulu Museum of Art School at Linekona in Hawaii was the display of a highly talented yet globally under-recognized art community. K&ocaute;an Jeff Baysa makes the point that it is the relative isolation of Hawaii which has been a factor in bringing this about.
Reviews
Eye on the Storm
A 2013 exhibition curated by D. Dominick Lombardi on the theme of a storm at The Bob Rauschenberg Gallery in Fort Meyers, FL and The Housatonic Musuem of Art in Bridgeport, CT by John Mendelsohn
Moment of Escape
Anna K.E. at Simone Subal Gallery in New York City by Dominique Nahas Art in New York City
The Beestes and the Briddes Alle
Douglas Florian at BravinLee programs in New York City by Dominique Nahas
Taking the World into Consideration
A Conversation with Dutch Artist Jackie Sleper by Edward Rubin
The Paintings of John Mellencamp
40 works at the Butler Institute of American Art, Youngstown Ohio by Steve Rockwell
The Heroes of Our Times
The Collages of New York Artist Chambliss Giobbi by Emese Krunák-Hajagos
The Cycle of Nature
An Interview with Korean Artist Hijo Nam by D. Dominick Lombardi
Ladies and Gentlemen, Ms. Katharine T. Carter
Katharine T. Carter & Associates nearing 30 years by D. Dominick Lombardi
A Studio Visit to Sunset Park, Brooklyn by Jeanne Wilkinson
Robert Mango at the Wimmer Gallery in New York City by Robert Mahoney
w/ images and publication details
dArt Magazine cover image
Fall 2013
d31
Features
Carrie Mae Weems’ retrospective, Three Decades of Photographs and Video at The Frist Center For The Visual Arts in Nashville, Tennessee ran from September last year to January 2013. Curated by Kathryn Delmez, the exhibition, in the opinion of critic Edward Rubin, was provocative, thought-provoking, and timely. The Frist is housed in a beautiful Art Deco post office from the early ‘30s and has been mounting ground-breaking exhibitions since it opened 12 years ago.
Emese Krunák-Hajagos reports on the show Nightfall/Alkony: New Tendencies in Figurative Painting at Galerie Rudolfinum in Prague, Czeck Republic and MODEM, Debrecen, Hungary. British curator Jane Neal grouped the paintings around five themes: Broken Landscape and Twisted Beauty; Portraiture; Struggle for Identity and the Hidden; Under Cover of Darkness; Painting and Cinema and Home but not Safe.
Jeanne Wilkinson lopes through Gagosian’s super-huge Chelsea space filled with the work of Jean-Michel Basquiat, whose career was famously brief and meteoric. Wilkinson’s take on the show: “A haul ’em in, hang’em up roundup bonanza” and “they’re just filling up the space. Jes’ come on down and let Jean-Michel give you a great ride!”
Reviews
The Day After the Future
Tamara K.E. at Johannes Vogt Gallery in New York by Dominique Nahas
The Car Was His...
Anna K.E. at Simone Subal Gallery in New York City by Dominique Nahas
Art in New York City
A sampling from October 2012 by John Mendelsohn
Anxiety
Victoria Vitasek at Fran Hill Gallery in Toronto by Steve Rockwell
Reflections
Kathleen Elliot and Paul Stankard’s Contemporary Studio Art Glass at the Morris Museum, Morristown, NJ by Mary Hrbacek
Jennifer Wynne Reeves at Bravin Lee Programs and Mondrian’s House in New York City by Jeanne Wilkinson
Rewriting History
Mia Halton at Kathleen Cullen Gallery in New York City by John Mendelsohn
High Concept Meets Toddler Fantasy
Chris Burden’s “Metropolis II” at LACMA in Los Angeles by Craig Stephens
Abstract But Not
Philip Taaffe at Luhring Augustine and Sterling Ruby at Nahmad Contemporary by Christopher Hart Chambers
Unusual Partnership
Etchings and Paintings by Carlos Fragoso at Kathleen Cullen Fine Arts by D. Dominick Lombardi
Personal Structures
Project at the 55th Venice Biennale by Karlyn De Jongh with Sarah Gold, Carol Rolla, and Valeria Romagnini
w/ images and publication details
Fall/ Winter 2012
d30
Features
Eugene Lemay’s Navigation exhibition at Mike Weiss Gallery in New York City is plumbed by Jeanne Wilkinson. She describes Lemay’s works as appearing "like visions; you imagine falling into them like Alice through a very dark looking glass".
All the possible complexities of life: the physical, biological and socio-ecological are tackled by Matthew Ritichie in two bodies of work: Monstrance at L & M Arts, Los Angeles, Venice Beach and The Morning Line in Vienna, Austria, organized by Thyssen-Bornemisza Art Contemporary. Emese Krunák-Hajagos muses on Ritchie’s merging of physics, art, mythology, philosophy, religion and history and their artistic representation.
This particular selection of works from Eileen S. Kaminsky’s collection of contemporary art is reviewed by John Mendelsohn. It is presented by Mana Contemporary, an art center housed in a former tobacco factory, which has been repurposed as 400,000 square feet of pristine space. Mana’s mission also includes an artist residency program, and The Middle East Center for the Arts, which is devoted to art from that region’s many cultures.
Reviews
Top 10 in New York and Basel
The top ten picks at the art fairs in New York City during Armory Week and Art Basel, Switzerland Week by Rupert Ravens
The Devandalizer
Hunter & Gatherer, Egon Zippel at Orchard Windows Gallery in New York City by Christopher Hart Chambers
Written by Snakes
Jude Broughan, Stephen Nguyen, Hanna Sandin, Annette Weherhahn at Churner and Churner in New York City by Christopher Hart Chambers
Five from Five
A Sampling of Painting in New York City by John Mendelsohn
Lori Ellison at McKenzie Fine Art in New York City by John Mendelsohn
Acid Bath for King Public
Marc Brotherton and Nina Carelli at Causey Contemporary in New York by Christopher Hart Chambers
The Breathtaking Beauty of Nature
Ruth Peche’s Deep Entropy by Edward Rubin
The Woven Archipelago
Joyce Melander-Dayton at the Rymer Gallery in Nashville, Tennessee by Steve Rockwell
Yielding to the Lure of Scent
Janet Bellotto at DeLuca Fine Art in Toronto by Edward Rubin
Extinguishing and Elevating Matter
Neil Tetkowski’s Earth Fragments at HPGRP Gallery in New York by Dominique Nahas
A Studio Visit with Virginia Martinsen
by D. Dominick Lombardi
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Fall 2011
d29
Features
dArt magazine presents itself in edible form with the launch of the dArt Burger at De Luca Fine Art in Toronto. Publisher and editor Steve Rockwell draws parallels between the aesthetics of art and food with the mincing of dArt’s back issues.
Drawing on its vast holdings, the Museum of Modern Art in New York displays the achievements of a generation that thrust New York City into the centre of the international art scene in the ‘50s. Emese Krunák-Hajagos surveys its showing in New York and at the Art Gallery of Ontario in Toronto.
Bronx native and performance art pioneer Vito Acconci speaks with curator Karlyn De Jongh on his current interest in the integration of public and private spaces and its effect on the language of environments.
Reviews
Accelerating on the Curve: The Artist’s Roadmap to Success
Dominique Nahas reviews the Katharine T. Carter & Associates book
Reverb
Vicki DaSilva at Able Fine Art in New York City by D. Dominick Lombardi
Billowing Beauty
Anne Ferrer at The Lab in New York City by Mary Hrbacek
Rewards for Solitude
Amalia Piccinini at Tenri Cultural Institute in New York City by Jonathan Goodman
Being There
Barnaby Hosking at Charles Bank Gallery in New York by Christopher Hart Chamber
Entwined
Two Soaring Solos at the Museum of Art in Newport, Rhode Island by Edward Rubin
The Better to Gnash With
Istvan Kantor and the Dental Trope by Gary Michael Dault
On The Political Imaginary
Tania Bruguera and the Resurgece of Performance Art by Edward Rubin
Wander Lust
Debbie Hesse’s Nature Trail at Umbrella Arts in New York City by Robert Curcio
Cao’s Legends
The Mosaic Photography of Alex Guofeng Cao by Craig Stephens
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Spring 2011
d28
Features
Gap store founder Donald Fisher, a third generation San Fransiscan, started 14 collecting prints by Frank Stella and Roy Lichtenstein. Now after almost 40 years of passionate dedication, he and wife Doris are giving their collection to the San Francisco Museum of Modern Art on a 100 year renewable loan.
Takashi Murakami's exhibition at Château Versailles in France, of comic-based 19 manga and anime-inspired paintings and sculptures, has made headlines in the French press. Ed Rubin plumbs some of the issues behind the alleged ‘murder’ of classical French culture.
Karlyn De Jongh, Sarah Gold, and Sophia Thomassen spent 24 hours with 22 with Lawrence Weiner on his houseboat in Amsterdam. A special edition book titled Skimming the Water [Ménage a Quatre], documents the event. De Jongh and Sarah Gold have furnished a written transcript for dArt
Reviews
Creepy, Crawly, and Absolutely Beautiful
Dead or Alive at New York City’s Museum of Arts and Design by Edward Rubin
The Physics of Liquid Formation
Stefan Eins at CREON Gallery in New York by John Mendelsohn
Art as Geotherapy
Mara G. Haseltine’s Oyster Island by D. Dominick Lombardi
The Rise of the River Keeper, a Calling
The Work of John Mendelsohn by Michelina Docimo
Rupert Raven’s and Gae Savannah’s Top 10 at the Miami art fairs
Interconnection and Isolation
Peter Halley in an Interview with Karlyn De Jongh
The Nearly Endless Line
Pat Steir at Sue Scott Gallery in New York by Christopher Hart Chamber
w/ images and publication details
Fall 2010
d27
Features
Julian Schnabel: Art and Film is the largest showing of the artist’s work since 16 the 1987 Whitney Museum Retrospective. Curated by David Moos, the exhibiton surveys Schnabel’s work as a painter from the mid-1970s to the present and features some 60 works, along with his films. Ed Rubin speaks with the artist.
Curated by Stephanie Barron, Senior Curator of Modern Art, LACMA, and 22 co-curator Dr. Eckhart Gillen, Kulturprojekte Berlin GmbH, Art of Two Germanys is the first special exhibition to go on view in LACMA’s new Renzo Piano designed-building, the Broad Contemporary Art Museum (BCAM). Emese Hajagos covers the Los Angeles installation of the exhibition.
When Less Relplaces Mess
The 2010 Whitney Biennial in New York celebrated its 75th edition with 28 50 works – many textbook famous – and culled from past Biennial and Annual exhibitions. Edward Rubin wieghs in on the results by guest curator Francesco Bonami and Whitney senior curatorial assistant Gary Carrion-Murayari.

On Video
Click here for the complete series on YouTube.

Reviews
Book Review: How God Talks in His Sleep
Tony Calzetta and Leon Rooke and Widow Magazine, Peregrine Honig. Reviewed by Steve Rockwell.
Big (Sur)Prizes at Art Dubai
2010 winners of the Abraaj Capital Art Prize by Janet Bellotto
Interconnection and Isolation
Part One of an interview with Peter Halley by Karlyn De Jongh
A Hurricane of Light
Giovanni Cerri at De Luca Gallery in Toronto by Steve Rockwell
Picking Cherries in New York and Toronto
Erin Kennedy’s Top 10 at the 2010 New York Art Fairs and Patti Cooke’s Top Ten at Contact Photography Festival in Toronto
Like a Rolling Stone
Alexander Esters, Peter Gerakaris, Justen Ladda, and Gallery Artists at Ana Cristea Gallery in New York by Christophe Hart Chambers
David Bolduc: A Remembrance
A tribute to the life and work of Toronto artist David Bolduc by Sheila Mudrick
Our New York
Yibin Tian at the Chelsea Art Museum, New York by Thalia Vrachopoulos
Happy Accident
The Cell Phone Photographs of Bob Poe by Craig Stephens
w/ images and publication details
Spring/ Summer 2010
d26
Features
Edward Rubin steers into PINTA – The Modern and Contemporary Latin American Art Fair in the Metropolitan Pavilion and B. Altman Building in New York, where participating galleries have doubled to 60 from the previous year.
After an absence of more than 30 years, D. Dominck Lombardi finds himself back in central Arizona with an eye for a contemporary art scene. After surveying museum and gallery exhibitions in Phoenix, Scottsdale and Tempe he is not disappointed.
The choice top ten exhibits at the Miami Art Fairs in 2009 are selected and served up by Laura M. Cincotta, Erin Kennedy, and Douglas F. Maxwell.
Reviews
Looking at Portraits Looking at Us
Vanity Fair Portraits at Art Gallery of Ontario and the Royal Ontario Museum in Toronto by John Norris
Light and Space
The Work of Keith Sonnier by Karlyn De Jongh
The Consummate Conceptual Artist
Robert C. Morgan at The National Arts Club in New York by D. Dominick Lombardi
108 Bows & 108 Anxieties
J. Grace Rim at Noma Gallery in San Francisco by Thalia Vrachopoulos
Articulate Remains
Reliefs, Sculptures and Assemblages by Jane Gennaro at Rogue Space in New York by John Mendelsohn
Contemplating the Inner City
The World According to Sculptor Arnie Zimmerman at Rhode Island School of Design Museum in Providence by Edward Rubin
Artistas Japoneses Muy Mexicanos
Japanese Artists in Mexico by Kóan Jeff Baysa
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Fall/ Winter 2009
v12 n2
Features
The Collections of Francie Bishop Good & David Horvitz, Gordon Locksley George T. Shea are the sources for this exhibition of 118 works by some 100 artists.
Edward Rubin wades in. The Museum of Art/Fort Lauderdale, Florida is now the most visited art museum in Florida.
Edward Rubin also dips his pen into the well of the Black Madonna exhibit at HP Garcia Gallery in New York, a multimedia exhibition of 41 international artists curated by Lisa Paul Streitfeld and H.P. Garcia.
Lonely Are the Brave: Blue Star Contemporary Art Center
Inspired by the 1962 film starring Kirk Douglas, the Lonely Are the Brave exhibit at Blue Star is in the words of its curator, San Antonio, Texas based artist Hills Snyder, a "state of the union tableau." Ben Judson reports
Reviews
The Dance of the Masks of Identity
The Paintings of Jose Manuel Ciria by Valerie Gladstone
Dans la Lune
Kirsten Hassenfeld at Smack Mellon in Brooklyn by Kathryn Hennessey
Boson Exotic
Fifty-seven artists at Rupert Ravens Contemporary, Newark, NJ by Kathryn Hennessey
Opening Scene
Mark Lewis at the Canadian Pavilion of the 53rd Venice Biennale by Julie Oakes
Fire & Rescue Museum
Jussi Kivi at the Finnish Pavilion at the 53rd Venice Biennale by Earl Miller
Exhibitions
Everyday Ignition
Eveline Luppi Gallery in Wickford, Rhode Island by D. Dominick Lombardi
Mis | Communication
Emilio Chapela Perez at the Instituto Cultural Leon, Guanajuato, Mexico by Kóan Jeff Baysa
Post-Apocalyptic Tattoo
D. Dominick Lombardi’s Dark Vision at Burt Chernow Galleries, Housatonic Museum of Art, Bridgeport CT by John Mendelsohn
Paradigms of Contradiction
Brian Leo at Leo Kesting Gallery in New York by Christopher Hart Chambers
Ghosts of Madoff in the Pudding
Snapshots from the March Art Fairs Week in New York by Anat Elberg
Frank Pictures
Tiffany Trenda & Kellesimone Waits in Los Angeles by Craig Stephens
Brow Beaten
Lowbrow Art in Los Angeles by Craig Stephens
Spring/ Summer 2009
v12 n1
Features
Toronto’s Art, Architecture, People and Food Hell-bent on achieving world-wide recognition like no other city in North
America was Edward Rubin’s impression of Toronto. With recent make-overs for Art Gallery of Ontario, the Royal Ontario Museum, and the Gardener Museum, the city readies to strut its cultural stuff to the world
Gateway to the Pacific
Art advisor and curator Helen Klisser During brings the art of New Zealand into a global perspective in discussions with D. Dominick Lombardi
Six Views of the Carnegie International
John Mendelsohn makes sense of the massive Life on Mars exhibit at the Carnegie Museum of Art in Pittsburgh
Marcia Gygli King: Forty Years
A concurrent retrospective at University of Texas at San Antonio, Southwest School of Art & Craft, and San Antonio Museum of Art on the work of Marcia Gygli King is covered by Steve Rockwell
Reviews
Winter Salon-Works on Paper
at Björn Ressle Gallery in New York by D. Dominick Lombardi
Ruminations in Paper
Drew Shiflett at Lesley Heller Gallery in New York by Christopher Hart Chambers
The Erotic Muse
Marlene Dumas at the Museum of Modern Art in New York by Robert C. Morgan
Triangulating New York, Toronto & Bermuda
Two Artists from Bermuda and Ten from Toronto at the National Arts Club in New York by Steve Rockwell
Exhibitions
Body Mappings
Eileen Senner, Kaethe Kauffman, Tina Blondell and Giedre Montvila at Allen Gallery in New York by Mary Hrbacek
Ripped and Torn
Group Show at 532 Gallery Thomas Jaeckel in New York by Robert Curcio
Reflections on the Olympic Moment
A glimpse of the Arts of Beijing by Janet Bellotto
Nostalgia for the Present
Recent Work of D. Dominick Lombardi at Artlexis in New York by Stanford Kay
Fall 2008
v11 n2
Features
Before beginning his tour of Seoul galleries Dominick Lombardi stopped at the Gyeongbok Palace – an ancient site in Seoul. Here he attuned his mind and spirit with nature, better to take in shows such the work of the multi-talented Hyunjhin Baik at Arario Gallery and On the Face, an eye-catching six-person show at Gallery I-San
To get a taste of the indigenous art galleries of Tokyo and a sense of place, D. Dominick Lombardi covers two spring art fairs: Art Fair Tokyo and 101 Tokyo
Around the Edges: The photography of Stephen Poster
Dominique Nahas aquaints himself with the photographs of veteran Los Angeles cinematographer Steven Poster at AFP Galleries in New York. This is Poster’s first foray into the fine art world of photography
Billion Dollar Baby: The Moscow World Fine Arts Fair
Since it inception five years ago the Moscow World Fine Arts Fair has been growing dramatically in both sales and the number of exhibitors. Edward Rubin closes in on some of its 80 international exhibitors housed at the Manége, once a riding school for imperial forces
Reviews
Conversations
Steve Rockwell reviews the Steve Driscoll book
The Language of Gesture
D. Dominick Lombardi on Korea’s Jung Do-Jun, master calligrapher and artist
The Evanescent Nebulae
Sharon Weiner at Allen Contemporary, New York by Peter Frank
Exhibitions
Thank you, come again
Ana Teixeira, and Anne Fauteux at Mercer Union in Toronto by Earl Miller
Little Mermaids
Ginna Triplett at Umbrella Arts and curcioprojects in New York by Steve Rockwell
Pandora’s Box
Raffi Tokatlian at Harvest Gallery in Glendale, CA by Peter Frank
Neurotic Playground
An exhibition by artists from Kunsthaus Santa Fé Gallery in San Miguel de Allende, Mexico at Red Head in Toronto by Steve Rockwell
Seasons
Blaise DeLong at Moore Gallery in Toronto by Ashley Johnson
Spring/ Summer 2008
v11 n1
Features
Luminaria was the launch of an all-day celebration of art, music, dance and theater in San Antonio modeled on Nuit Blanche in Paris. Culminating in a concert by the San Antonio Symphony and fireworks in the Alamo Plaza at midnight, the arts event shone a light on San Antonio’s rich and diverse cultural heritage.
My Brazil Diary - In the summer of 2007 Earl Miller had "the good fortune to visit Brazil."
He takes a first-hand look at an art scene that has recently garnered so much international attention in the art press and on the biennial circuit.
Not Only Possible, but Also Necessary
At the 10th International Istanbul Biennial Janet Bellotto reflects on a city with a complex history and a growing art scene that is stirring the mix of international biennials.
Reviews
Surreal Killer: Chapter IV
A Sidonna Cherry Mystery by Iris Seymour
Foul Play
Robert Brinker at Sara Tecchia Roma in New York by Christopher Hart Chambers
Frolic: Humor and and Mischief in New Taiwanese Art
at Tenri Cultural Institute and Taipai Gallery by D. Dominick Lombardi
Exhibitions
Compass: New Directions
Curated by Jill Conner at Black & White Gallery in Williamsburg, Brooklyn by D. Dominick Lombardi
The Incomplete
The Neumann family collection at the Chelsea Art Museum in New York by Christopher Hart Chambers
Singularity in the Communal Tide
at Gallery Pierro in South Orange, New Jersey by Kat Hennessy
Dehisce and a Course in Mineralss
KKProjects in New Orleans curated by Kaechele and Kóan Jeff Baysa by Catharine Burke
Shooting Galleries
Craig Stephens on the work of Los Angles artist Ellwood T Risk
Fall 2007 v10 n2
Features
Barcelona Calling - Barcelona and Modernity: Gaudi to Dali
by Valerie Oisteanu
The Gulf Art Fair in Dubai - Glittering Possibilities
by Janet Bellotto
The Courage to Change - Sharjah Biennial 8
Text and Photos by Janet Bellotto
Reviews
The James Kalm Report
The Artworld Interventions of Loren Munk by Christopher Hart Chambers
Polymorph & Rediviva
Magnus Arnason & Flight 19 at Locust Projects in Miami by Megan Voeller
Grilling Up the Hellbound Rodeo
Richie Budd and Aaron Johnson at Priska Juschka Fine Art in New York City by Christopher Hart Chambers
Exhibitions
GRU-YYZ-GRU - Shifting Spaces
Shifting Spaces Juntamentz, Chernobyl Project, and Galeria Noema by Emelie Chhangur and Daniela Castro
Split Decision - Breaking Borders
Steve Rockwell covers Carolee Schneeman at MOCCA in Toronto
Peres Projects - Global Vision
Craig Stephens speaks with Javier Peres in Los Angeles
Cuban Interventions
Jennifer Kuratczyk in Cuba with artist Alexander ulloa Rodriges and photographer Frank Illion
Vine People
Dyan Marie's Urban Strategies in Toronto by Ashley Johnson
About and Off the Grid
The Work of John Kingerlee by Koan Jeff Baysa
Nesting in an Ambiguous World
patricia Piccinini at New York's ISCP Studio Residence Program
Constructing the Canvas
Joyce Melander-Dayton at Gallery Shoal Creek in Austin, Texas by D. Dominic Lombardi
Beyond Commodification
The art of Parris Patton by Craig Stephens
dArt Magazine: Ten Years of Meditations on Space by Steve Rockwell
Spring 2007 v10 n1
Features
by D. Dominick Lombardi
Text and Photos by Janet Bellotto
Reviews
Did Someone Say Participate?
Shumon Basar and Markus Miessen, Editors. Book review by Jessica Carew Kraft
Bandits and Shuttlecocks
Tiong Ang at Florence Lynch Gallery in New York by Steve Rockwell
1 + 1 = 1
Frank Lind and Jeanne Wilkinson at Crecloo Art Gallery in New York by Christopher Chambers
Exhibitions
The Pink-Blue Project
Jeongmee Yoon at ISCP Open Studio in New York by Rieko Fujinami
The Art and Science of Pattern Recognition
Merrill Steiger at Kathleen Cullen Fine Arts in New York by Kóan Jeff Baysa
EE Light
Bill FitzGibbons and Creighton Michael at the Lab Gallery in New York by Steve Rockwell
Strange Brew
Alejandra Villasmil and D. Dominick Lombardi at Repetti Gallery in Long Island City, NY. Curated by Claudio Gonzalez
The Sudden Springs Series
Charles Michael Norton at TAMA Gallery, TriBeCa, New York by Kóan Jeff Baysa
Just in Political Jest
Alex Wagman and Phil Joanou at Paul Sharpe Gallery in New York by Bill Zimmer
Laugh and Cry
Sigga Bjorg Sigurdardóttir Reykjavík, Iceland by Katharina Klara Jung
Plein Error
Rex Bruce at Los Angeles Center for Digital Art by Mat Gleason
The Miami Color Match Tournament
Janet Bellotto and Jenni Kuratczyk play games while in Miami by Steve Rockwell
Fall 2006 v9 n2
Reviews
Himself a devout dada maven, Valery Oisteanu feasts on the largest dada exhibit ever, featuring more than 450 masterpieces by nearly 50 artists at new York's Museum of Modern Art.
Revelry in Rotation: the Art Fairs Week in New York
Gae Savannah hitches a ride on the seemingly ever-expanding caravan of contemporary art in New york that passed through the city this past March. She rode through Pulse, the Armory show, DIVA, ~scope, and the LA Art Fair.
Nature in the Garage: Toronto
Curated by Janet Bellotto, Nature in the Garage features ten artists who utilize a garden shed to investigate and interpret conditions of the natural environment through various urban settings in Toronto. The paradigm between art and environment through this common cultural icon is explored by artists from Canada, Australia, Japan and Taiwan.
Exhibitions
Confined Chaos
Life According to David Fried as observed by Christopher Chambers
Scapes
Group exhibition at the Lab Gallery, the Roger Smith Hotel in New York. Curators notes by D. Dominick Lombardi.
Artists Curating Artists
Transmutations and Plastic Fantastic at SICA in Long Branch, New Jersey by D. Dominick Lombardi.
Painting - Can You Take Me to Heaven?
Kadar Brock at BUIA Gallery in New York by D. Dominick Lombardi.
Control and Freedom
Sasha Chermayeff and Chuck Bowdish at Sideshow Gallery in Williamsburg by Jeanne Wilkinson.
A Life of Errors
Sheila and Nicholas Pye at Kkasia Kay Art Projects in Chicago by Liam Rosewood.
Artificial Light
Light-based objects and installations aat the Anderson Gallery in Richmond, Virginia by George Cruger.
Light Channels
Bill FitzGibbons' public art installation in an underpass in San Antonio, Texas, by Liam Rosewood.
Grace and Travail
The paintings of John Brown at Olga Korper Gallery in Toronto by Gary Michael Dault.
Winter/Spring 2006 v9 n1
Reviews
Ambitious arts programs at Virginia Commonwealth University are energizing and vitalizing Richmond’s burgeoning art scene. From the Virginia Museum of Fine Arts to art galleries on Broad and Main Streets, and to VCU’s own facilities, such as the Anderson Gallery and Solvent Space, there is a vigor in Richmond arts culture, disproportionate to its size
Doin’ Miami
D. Dominick Lombardi does the Miami Beach art fair circuit from scope and Aqua to Art Basel Miami and more...
VCU’s Progress
Steve Jones looks at the MFA arts programs at Virginia Commonwealth University and their remarkable ascent in ranking among colleges and universities across the U.S.
Exhibitions
Lure of the Lore
Cece Cole at Solvent Space in Ricmond, Virginia by D. Dominick Lombardi
An Interview with Ricky Armendariz
The work of San Antonio painter Ricky Armendariz by Arturo Almeida
Green Over Grey
The Lucille Halsell Conservatory of San Antonio Botanical Garden designed by Emilio Ambasz by Michael Klein
Hundred and One Nights
The paintings of Wai Ching Lam at Blue Star in San Antonio by D. Dominick Lombardi
Impulse Archeology
Eldon Garnet’s published Impulse Magazine from 1975 to 1990 by Janet Bellotto
A Private Garden of the Mind
An interview with artist Gloria Kisch on her show at Dorfman Projects in New York by Christopher Chambers
Let Buddha Sort Them Out
Rodney Dickson’s exhibition at M.Y. Art Prospects, New York City by Hisa Yamamoto
Art is Big on Campus
A look at the college-affiliated art galleries in the Hudson Valley by Elizabeth Stephens
Mediterranean Encounters
The Parco Horcynus Orca, an ancient fortress in Sicily, is the site for an exhibition by artists from Northern Africa and Italy by D. Dominick Lombardi
Winter 2005 v8 n1
Reviews
I never got to ride on the carousel, aerial tram, nor on any horses for that matter, in Brackenridge Park, while I was in San Antonio. It would have been nice to go through the Japanese Tea Gardens with its winding walkways, stone bridges, and pools in what was once a rock quarry. No complaints.
San Antonio, Texas
A lively art scene with bourgeoning museums, San Antonio serves up an array of cultural choices by virtue of its unique geographical positioning in North America
McNay Art Museum
For 50 years, true to the vision of Marion Koogler McNay, this remarkable museum embraces both the 19th century and the new
Southwest School of Art & Craft
An 1851 historic site and functioning since 1965, the school’s mission is to provide studio art classes for all
Blue Star Contemporary Art Center
A non-profit, non-collecting art center, Blue Star continues to be an incubator for contemporary art since its inception in 1985
Artpace
Through its Artist-in-Residency program nine artists live and work in San Antonio for two months to create pivotal art projects
San Antonio Museum of Art
European antiquities, an impressive Asian collection, and Latin American Art that spans 4,000 years of history—and much more
Exhibitions
Iris has her own way of ferreting out the seamy truths of art by Iris Seymour
Over the Top–Under the Rug
Group Show at SICA curated by D. Dominick Lombardi by Valery Oisteanu
In Defiance of the Male Canon
Angiola Churchill and Sarah Haviland by Thalia Vrachopoulos
Someone Else’s America
The Social Discourses of Joey Krebs by Craig Stephens
No One Walks in LA
The walking art of Lisa Salem by Craig Stephens
Journey
Sculpture by Steinunn Thórarinsdóttir at the lab gallery in New York by D. Dominick Lombardi
Canadian Club
Persona Volare at the Canadian Cultural Centre in Paris by Janet Bellotto
Living a Mythology Within the Self
The Present of Koichi Hiraki at Gallery Tubaki, Ginza, Tokyo by Hideharu Ogawa–Translated by Masato Fujii
Butoh and Godzilla
Tatsumi Hijikata’s Butoh Surrealism of the Flesh Ontology of the "Body" at Taro Okamot Museum of Art, Japan by Keinosuke Murata-Translated by Gavin Frew

 

Fall/ Winter 2005 v7 n2
Reviews
In my recent travels though LA and New York art venues the most arousing and enflaming work I saw was Tom Patchett's "stagewerk," which is built around the life of the late artist and cult celebrity Joseph Beuys. It is a work for those who do not know much about Beuys and for those who do; for those who believe there is a crisis in the arts and for those who do not. It should be seen by those who are Beuys fans and even more so by those who are not. I am one who did not know much, believes there is a crisis, and who was not a fan.
Kazuo Nakamura
at the AGO by Gary Michael Dault
David Bunn
at Angles Gallery by Jody Zellen
Drawing Conclusions
Exhibitions
Karin Bubas at Monte Clark by Corinna Ghaznavi
D. Dominick Lombardi at Lisa Boyle by Claire Lieberman
Jeff Vespa at Traction Gallery by Craig Stephens

 

Winter 2004 v7 n1
Reviews
Peter Frank tracks the recent work of veteran abstract expressionist Michael Goldberg through three essentially simultaneous shows at art galleries in Los Angeles, New York, and Chicago.
The Life Lessons of Don Giffen.
With the passing of Don Giffen at age 53, Bruce Bauman celebrates the artist's achievements and life philosophy.
Drawing Conclusions-Works by Artist-Critics.
Art making and art writing by the creatively ambidextrous are presented in a NY Arts Gallery show curated this winter by Jill Conner and Gae Savannah.
Frank Gehry: Works in Progress and Disney Hall.
Clayton Campbell attends the arrival of Disney Hall and its musical inauguration with the Los Angeles Philharmonic.
Exhibitions
Saturation: Empires Within and Out by Andrew Choate
Jean Lowe at Rosamund Felsen Gallery.
The Eclectic Eleven by Craig Stephens
Group Show at Andrewshire Gallery.
Alphatrope to Zeotrope by Craig Stephens
The Clayton Brothers.
Walter Anderson: Centennial 1903-2003 by Jeanne C. Wilkinson
Walter Anderson at Luise Ross Gallery.
Darker Gardens by Christopher Chambers
Gé-Karel van der Sterren Henry Urback Architecture.
Jeanne Thib at Leo Kamen
by Gary Michael Dault
Toronto Gallery Tour by Steve Rockwell
Summer 2003 v6 n1
Reviews
In a contemplation of war and its metaphors, Bruce Bauman seeks solace in a journey through LA's galleries and museums.
The Passions: Bill Viola at the Getty.
Jody Zellen examines Bill Viola's quest to parallel the great masters' achievements in the range of human emotion using new technology.
Glimpses of Arcadia: Laura Owens at LA MOCA.
George Melrod reflects on the work of painter Laura Owens and her much-discussed position in contemporary art.
Alfred Jensen's labyrinthine cosmologies continue to fascinate.
Stacen Berg puzzles over his intricately-painted numerical systems Great Waves at the Metropolitan Museum.
Exhibitions
Jeanne Wilkinson meditates on the Chinese themes in the arts of Korea and Japan at the Met
Tourists and Tours: Missing Attractions by Andrew Choate
Tomoko Takahashi at UCLA Hammer Museum.
Dogs by Corinna Ghaznavi
Sherri Hatt Art Gallery of Mississauga.
Boulevard of Broken Dreams by Craig Stephens
The art of Gottfreid Helnwein.
Submerge by Corinna Ghaznavi
Marianne Lovink at Definitely Superior Gallery.
Living to Have Art and Collecting as a Vice by Christopher Chambers
Interviews with Steve Shane and Gail Rothman.
LA International Invitational
The participating galleries and sponsors.

 

Fall 2002 v5 n3
Reviews
A retrospective of Gerhard Richter's work at MoMA in New York inspires writer Bruce Bauman to reflect on the role of the art critic in contemporary society.
Thomas Struth at MOCA in Los Angeles.
Clayton Campbell surveys the photographic works of Thomas Struth and his commanding retrospective at MOCA in Los Angeles.
Lysis: Profound Loss, Healing, and Identity.
Curator Koan-Jeff Baysa tackles the themes of grief and catharsis with an exhibition at Pamela Auchincloss/Project Space. Dominique Nahas reports.
Pollock to Punk: Skip Arnold.
Los Angeles performance artist Skip Arnold speaks with Craig Stephens about the joys and stresses of his craft.

 

Spring 2002 v5 n2
Reviews
Dominique Nahas surveys the largest Whitney Biennial since 1981. Lawrence Rinder, the biennial's chief curator, has presented the work of 113 artists and collaborative teams
Willem de Kooning: Tracing the Figure.
A pictorial survey of drawings by the late Willem de Kooning at MOCA in Los Angeles, curated by Paul Schimmel and Connie Butler. Clayton Campbell introduces this grouping of drawings, which centers on the years 1952-53.
Cy Twombly's Lepanto.
The musings of American expatriate Cy Twombly on the 16th-century battle at Lepanto are displayed in painterly form at Gagosian Gallery in Chelsea. Robert Mahoney reports.
How the West Was Won.
Craig Stephens, based in LA, explores the emergence of Los Angeles as an art center in light of the continuing dominance of New York as the global epicenter of art.
Exhibitions
Los Angeles
Jody Zellen at Deep River
Monique Prieto at ACME
Steve Criqui at Lemon Sky Projects
Marina Forstmann Day at Don O'Melveny
New York
2002 Biennial Whitney
Cy Twombly at Gagosian
Kate Shepherd at Galerie Lelong
Kiki Seror at I-20
Wlodzimierz Ksiazek at Hartwick College
Enoc Perez at Dee Glasoe
Toronto
Don Jean-Louis at Zypr
Lisa Klapstock at Peak
Starting Now at 64 Steps, West Wing, Gallery 1313 and Art Systems

 

Winter 2002 v5 n1
Reviews
The LA County Museum of Art has mounted four decades of art from the Eli and Edythe L. Broad collections, deemed one of the top ten private art collections in the world. George Melrod reports.
Alberto Giacometti at MoMA.
The Museum of Modern Art's presentation of Alberto Giacometti was the first major New York City museum exhibition of the Swiss artist in almost three decades. dART presents a pictorial survey of some the major pieces from this spectacular exhibition.
Exit/Salida.
The Australian installation artist Bronia Iwanczak presented Exit/Salida at Highways Performance Space and Gallery in Santa Monica as part of LA International last summer. Bruce Bauman delves into Iwanczak's probes of national identity and individual psychic borders.
Exhibitions
Los Angeles
Clayton Campbell at Patricia Correia
Axiomatic Arcade at Track 16
Bill Barminski at Robert Berman
Todd Brainard at Roberts & Tilton
David Ireland at Christopher Grimes
New York
David Remfry at Neuhoff Gallery
Leslie Lerner at Littlejohn Contemporary
Kevin Appel at Marianne Boesky
Angelo Filomeno at Audiello Fine Art
Ellen Cantor at Marcus Ritter
Düsseldorf
Stefanie Mayer Simon Spiekermann
Paris
Suzanne Lafont at Anne de Villepoix
Toronto
Angela Grauerholz at Olga Korper
Vice Squad at YYZ
Claude Cabri at MEG

 

Fall 2001 v4 n3
Reviews
Feature: Leon Golub: Paintings 1950-2000. Leon Golub's Gigantomachy
The Brooklyn Museum hosts a survey of Leon Golub's painting, often a gritty depiction of the world of mercenaries and terrorists. Jeanne Wilkinson infiltrates.
Ron Mueck's Sensational Life.
In his first New York display since his participation in the now-infamous Sensation show, Ron Mueck keeps his focus on self and family with two works, a large mask and a small figure. Robert Mahoney explores.
Shifting Tides.
LA County Museum hosts Cuban photography after the revolution. Clayton Campbell views the work of three generations of Cuban photographers since Castro's ascent to power.
Public Offerings: MOCA at Geffen Contemporary.
Clayton Campbell surveys Public Offerings, breakthrough works by young artists who achieved prominence in the '80s and early '90s.
Exhibitions
Los Angeles
Michal Rovner at Shoshana Wayne by Bruce Bauman
Jacob Hashimoto at Patricia Faure by Jody Zellen
Suzan Woodruff at William Turner Shana Nys Dambrot
Ed and Nancy Kienholz at LA Louver by Clayton Campbell
New York
Luke A. Murphy at Canada, NYC by Carl Skelton
Inka Essenhigh at Mary Boone by Robert Mahoney
Judith Lahares at Edward Thorpe by Christopher Chambers
Toronto
Greg Curnoe at the Art Gallery of Ontario by Corinna Ghaznavi
Sue Lloyd and Kelly McCray at TPW by Corinna Ghaznavi
Ric Evans at Sable-Castelli by Steve Rockwell
Sharon Switzer at Koffler by Gary Michael Dault
Netherlands
Daniela Steinfeld at Vous Etes Ici by Anne Rodler

 

Spring 2001 v4 n2
Reviews
Clint Roenisch peruses a hundred More Famous Drawings by Winnipeg artist Marcel Dzama at Olga Korper Gallery in Toronto.
Profile: Robert Longo.
A visit by Robert Curcio to Robert Longo's studio finds the artist continuing his fascination with drawing, a departure from his '80s work.
Patrick Hogan: Requiem for a Heavyweight.
Christopher Miles offers the work of the late Los Angeles painter Patrick Hogan for consideration and evaluation.
Singular Fissions: Art in a Cold War Bunker.
Canada's Cold War Museum, formerly a fall-out shelter, becomes the site for an international exhibition of 13 artists. Maureen Korp goes underground to report.
Superflat.
Clayton Campbell surveys Superflat, an exhibition of 19 manga-influenced artists and designers at MOCA/PDC in Los Angeles.
Exhibitions
Los Angeles
Sandow Birk at Koplin by Jeremy Rosenberg
Mary Milelzcik at Highways by Clayton Campbell
Off the Hook at S.K. Gallery by Bruce Bauman
Innerspace 4 by Shana Nys Drambot
New York
Gary Stephan at Baumgartner by Christopher Chambers
Luca Buvoli/Jeffrey Lependorf at Queens Museum by Dominique Nahas
Christian Marclay at Paula Cooper by Robert Mahoney
Altoids Collection at newmuseum by Christoher Chambers
Michael Snow at White Box by Carl Skelton
Martin Mull at David Beitzel by Jeanne C. Wilkinson
Toronto
Marcel Dzama at Olga Korper by Clint Roenisch
Sarindar Dhaliwalat Edward Day by Corinna Ghaznavi
Alex Cameron at Moore Gallery by Gary Michael Dault
Persona Volare by Corinna Ghaznavi

 

Winter 2001 v4 n1
Reviews
Clayton Campbell considers Damien Hirst's recent work at New York's Gagosian Gallery in Chelsea and its impact on contemporary art .
Bridget Riley's Reconnaissance at DIA.
The maven of Op, Bridget Riley, and her linear legacy are examined by Jeanne C. Wilkinson, who covers Riley's shows at the DIA Center for the Arts and Pace/Wildenstein.
Paradise Now: Picturing the Genetic Revolution.
Dominique Nahas considers the impact of recent advances in genetic sciences on the art world through Exit Art's Paradise Now exhibition in Soho.
Let's Entertain: aen.walkerart.org
The Walker Art Center in Minneapolis and the Centre Georges Pompidou in Paris collaborate on a web portal. Carl Skelton surfs.
Exhibitions
Los Angeles
Paul McCarthy at Patrick Painter by Jody Zellen
Don Giffin at Christopher Grimes by Bruce Bauman
Inventional at Angles by Shana Nys Dambrot
James Welling at Regen Projects by Jody Zellen
New York
Damien Hirst at Gagosian by Clayton Campbell
Bridget Riley at DIA Center for the Arts by Jeanne C. Wilkinson
Paradise Now at Exit Art by Dominique Nahas
Jenny Gage at Luhring Augustine by Robert Mahoney
Richard Klein at Caren Golden by Dominique Nahas
Cornford & Cross at Nikolai Fine Art by Steve Rockwell
Bruce Nauman/Rodney Graham at DIA Center for the Arts by Jeanne C. Wilkinson
Lucinda Devlin at Paul Rodgers/9W by Dominique Nahas
Pastoral Pop1 at the Whitney Museum at Philip Morris by Christoher Chambers
Charles Yuen at Harris by Christopher Chambers
Toronto
Joanne Tod at Sable-Castelli by Steve Rockwell
Shary Boyle at Paul Petro by Corinna Ghaznavi
Thick Skinned at Gallery 44 by Corinna Ghaznavi
The Collective Unconscious York Quay by Corinna Ghaznavi

 

Fall 2000 v3 n2
Reviews
Feature: Rick Prol Politics in Ink on Paper
Rick Prol reflects on the tumultuous flowering of New York's East Village art scene, and his connection to some its luminaries.
Nam June Paik.
Dominique Nahas surveys the work of Nam June Paik, one of the seminal figures of media-based installation art, at the Solomon R. Guggenheim Museum in New York.
Two to Consider at LACMA.
The work of two LA-based artists, Robert Heinecken and Robert Therrien, is considered by Clayton Campbell at their recent exhibition at the LA County Museum of Art.
Getting to Know Angela.
Robert Curcio "discovers" the work and person of London-based artist Angela de la Cruz.
Exhibitions
Los Angeles
Donald Moffett & Sister Corita at UCLA Hammer by Bruce Bauman
Charles LaBelle at Roberts & Tilton by Jody Zellen
Barry McGee at UCLA Hammer by Jeremy Rosenberg
J.S.G. Boggs at Frumkin/Duval by Bruce Bauman
Dennis Hopper at Craig Crull by Shana Nys Drambot
New York
Nam June Paik at the Guggenheim by Dominique Nahas
Michal Rovner at the Whitney Biennial by Dominique Nahas
David Humphrey at McKee by Christopher Chambers
Ugo Rondinone at Matthew Marks by Robert Mahoney
Afrika at I-20 by Dominique Nahas
Sandrine Guérin at Karen McCready by Dominique Nahas
H.C. Westermann at Lennon Weinberg by Jeanne C. Wilkinson
Maja Lisa Engelhardt at DCA by Jeanne C. Wilkinson
Toronto
Tracey Moffatt at Robert Birch by Corinna Ghaznavi
David Bolduc and Napoleon Brousseau at Angell Gallery by Corinna Ghaznavi
Celia Neubaur at Leo Kamen by Corinna Ghaznavi
Redrospective at Red Head by Corinna Ghaznavi
Vancouver
Allan Switzer at Monte Clark by Ross MacDonald

 

Winter 2000 v3 n1
Reviews
The work of Laura Owens is examined in light of its "purposiveness" by Los Angeles writer Jan Tümlir.
Ireland's Artists and the Celtic Tiger.
Clayton Campbell surveys Ireland's contemporary cultural scene and the emergence of a new generation of visual artists.
Cawfee Tawk with Mike Bidlo.
Robert Curcio looks at the appropriation art of New York artist Mike Bidlo and his recent St. Duchamp series.
The Art of Blood.
Dominique Nahas discusses the visceral art of Viennese Actionists Gunter Brus and Hermann Nitsch and their recent exhibition at White Box in Chelsea.
A Place Called Lovely.
Sadie Benning, Mark Bradford, Sean Landers, Julie Becker, Jack Pierson, and others are featured in an installation curated by Sima Familant at Greene Naftali in Chelsea. Carl Skelton reports.
Exhibitions
Los Angeles
Rev. Ethan Acres at Patricia Faure by Bruce Bauman
Anita Dubeat Patricia Correia by Bruce Bauman
Shirin Neshat at Patrick Painter by Bruce Bauman
Guy Limoneat Kohn Turner by Jody Zellen
Annica Karlsson Rixonat Angles by Jody Zellen
William Leavitt at Margo Leavin by Jody Zellen
Maix Mayer at half a dozen rose by Shana Nys Dambrot
Abject Edge at Ruth Bachofner by Shana Nys Dambrot
New York
Maurizio Pellegrin at the Esso Gallery by Dominique Nahas
Gunter Brus and Hermann Nitsch at White Box by Dominique Nahas
Carl Skelton at Gaga by Dominique Nahas
A Place Called Lovely at Greene Naftali by Carl Skelton
Cecily Kahn at The Painting Center by Jeanne C. Wilkinson
Jenny Saville at Gagosian by Christopher Chambers
Krzysztof Zarebski at Pardo Sheehan by Christopher Chambers
Rudi Molacek at Klemens, Gasser & Tanja Grunert by Christopher Chambers
Toronto
Stan Douglas at The Power Plant by Corinna Ghaznavi
Sign Languageat Olga Korper by Corinna Ghaznavi
Harold Klunder at Sable-Castelli by Steve Rockwell
Sandra Meigs at Susan Hobbs by Corinna Ghaznavi

 

Spring/Summer
1999 v2 n2
Reviews
For a host of reasons LA has vaulted into a position as the new megalopolis, a megacity of the 21st century characterized by decentralization and the lack of a clear ethnic majority.
by Clayton Campbell
The Museum as Muse
Drawing Conclusions
Exhibitions
Los Angeles
The LA International Invitational

 

Winter 1999 v2 n1
Reviews
How does the recent flowering of the Color Field hold up against the movement's roots? Michael Duncan peruses the field to suggest a widening in the spectrum of current contributors.
Diana Thater's Flat Animals at MoMA.
Carl Skelton tracks Diana Thater's camera movements through the Project Room at the Museum of Modern Art of her installations, The best animals are the flat animals and The best outside is the inside.
Jackson Pollock Returns to MoMA.
Dominique Nahas weighs the impact of Jackson Pollock's contribution to modern art against its blockbuster presentation at the Museum of Modern Art in New York.
Perfection.
April Kingsley has found perfection to be a persistently recurring theme of contemporary art and explores its manifestation through eight recent New York exhibitions.
Exhibitions
Los Angeles
Alison Van Pelt at Robert Berman by Jeremy Rosenberg
Steve DeGroodt at Remba by Christopher Miles
Amy Adler at MOCA by Jody Zellen
Tony Tasset at Christopher Grimes by Jody Zellen
E Chen at Richard Telles by Jody Zellen
Salomon Huerta at Patricia Faure by Jody Zellen
Anders A at Highways Performance Space by Bruce Bauman
Victor Ekpuk at 18th Street Arts Complex by Bruce Bauman
New York
Graciela Sacco at World House Gallery by Dominique Nahas
Lisa Bartolozzi and Heather McGill at Knoedler & Company by April Kingsley
Ann Appleby and Jacquelyn McBain at Littlejohn Contemporary by April Kingsley
Jason Young at Cristinerose by April Kingsley
Oliver Marsden at Spencer Brownstone by April Kingsley
Malene Bach at DCA Gallery by April Kingsley
Lisa Bradley at Donahue/Sosinski by April Kingsley
Carol Ross and Janos Gat at A.I.R. Gallery by April Kingsley
Clay Realists at Nancy Margolis by April Kingsley
Victoria Civera at Elga Wimmer by Jeanne C. Wilkinson
Helen O'Leary at Michael Gold by Jeanne C. Wilkinson
Ann Craven at Curt Marcus by Christopher Chambers
Augustus Goertz at Rentschler/Law by Christopher Chambers
Toronto
Mike Hansen at Lonsdale by Earl Miller
Becky Singleton at Christopher Cutts by Corinna Ghaznavi
Gunilla Josephson and the Canadian Shield by Corinna Ghaznavi
Rebecca Diederichs at Tableau Vivant by Corinna Ghaznavi
Tom Burrows at Bau-Xi by Steve Rockwell

 

Fall 1998 v1 n3
Reviews
Changing Spaces at the Power Plant in Toronto.
Corinna Ghaznavi examines Artists' Projects from the Fabric Workshop and Museum in Philadelphia. Chris Burden, Felix Gonzalez-Torres, Renee Green, Mona Hatoum, Jim Hodges, Glenn Ligon and Yukinori Yanagi signal a politicization of fabric and texile work.
Alfredo Jaar at Galerie Lelong in New York.
Steve Rockwell views the 1994 Rwanda massacre through Alfredo Jaar's presentation of The Eyes of Gutete Emerita.
Martin Kippenberger at MAK in LA.
Jan Tümlir takes in Martin Kippenberger's The Last Stop West at MAK Center in Los Angeles and probes some of the myths behind the prodigious Kippenberger personality.
Painting Now and Forever Part 1.
Carl Skelton takes the pulse of painting at Matthew Marks and Pat Hearn Galleries in New York at Painting Now and Forever Part I.
Exhibitions
Los Angeles
Stephen Berens at ACME by Christopher Miles
Andrea Bowers at the Santa Monica Museum of Art by Jody Zellen
Maxwell Hendler at Patricia Faure by Steve Rockwell
6 Emerging Artists at Dan Bernier by Steve Rockwell
Takashi Murakami at Blum & Poe by Michael Darling
Kenny Scharf at Kantor Gallery by Steve Rockwell
Liz Larner at Regen Projects by Steve Rockwell
New York
Liesbeth Bik and Jos van der Pol at Greene-Naftali by Carl Skelton
Naked & Famous at Jessica Frederiks by Steve Rockwell
Robert Colescott at Phyllis Kind by Steve Rockwell
Fred Franzen at M-13 Gallery by Corinna Ghaznavi
Larry Johnson at I-20 by Steve Rockwell
Charles Long at Bonakdar Jancou Gallery by Steve Rockwell
Paullinacupana at Bill Maynes by Steve Rockwell
Toronto
Jillian McDonald at A-Space by Corinna Ghaznavi
Made to Measure at Lonsdale Gallery by Corinna Ghaznavi
Yaleh Paxton-Harding and Eric Aurandt at Meg Gallery by Steve Rockwell
Peter Beard at Gallery One by Steve Rockwell
Layers at Wynick/Tuck by Earl Miller
Proof5 at Gallery 44 by Steve Rockwell

 

April May June
1998 v1 n2

Reviews

Joe Smith
Bill Johnson
Eduard Ortega

Contributing Authors

Joe Smith
Bill Johnson
Eduard Ortega

Artists

Joe Smith
Bill Johnson
Eduard Ortega

 

January 1998
Premier Issue v1 n1
Reviews
Tamara Fites: Adult Babies.
The January 1997 opening at the Dan Bernier Gallery in Santa Monica.
Keith Haring.
The NY Whitney Show travels to the Art Gallery of Ontario.
Man Ray in Hollywood
The January 1997 exhibition at Track 16 and Robert Berman Galleries at Bergamot Station in Santa Monica.
Exhibitions
Toronto
Lon Duva at Meg Gallery
Ed Zelenak at Christopher Cutts Gallery
Michelle Gay at Wave
Betty Goodwin at Sable-Castelli Gallery
Robert Mapplethorpe at Gallery One
Jules Olitski at Drabinsky & Freidland Gallery
Barbara Bloom at S.L. Simpson Gallery
Sandra Rechico at Cold City Gallery
René Pierre Allain at Lonsdale Gallery
Roland Brener at Olga Korper Gallery
Carl Skelton at U. of T. Scarborough
Milton Walker Jewell at Painted City Gallery
Paul Fournier at Mira Godard
Yam Lau & Gordon Labredt at Cold City
Clive D'Oliviera at Leo Kamen
Irene Fay at Stephen Bulger
Brain Multiples at Art Metropole
Alex Cameron at Moore Gallery
Michael Warren-Darley at James Allen Fine Art

 

Meditations On
Space

Reviews

Joe Smith
Bill Johnson
Eduard Ortega

Contributing Authors

Joe Smith
Bill Johnson
Eduard Ortega

Artists

Joe Smith
Bill Johnson
Eduard Ortega

 

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