LandX

by D. Dominick Lombardi

It is commonly thought that in Western Art, the interest in representing the landscape as part of a paintings composition cropped up during the time of the Renaissance. From the beginning, representations of the landscape have brought the viewer to virtually experience new places throughout time, offering a sense of discovery, a feeling of hope for a better more peaceful world. More recently, a truer understanding of the force and fragility of nature has come to the fore motivated by politics, profit and pleasure. For this exhibition, I have selected paintings, sculptures, archival pigment prints, ceramics, dioramas and collages that offer a variety of contemporary views regarding the state of the genre.

Inness Hancock, Into the Falls, 2016, oil on canvas, 60” x 48”
Inness Hancock, Into the Falls, 2016, oil on canvas, 60” x 48”
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dArtles: Weekly on the Arts

by Steve Rockwell

Weekly on the Arts hosts Irina De Vilhina and Kyle Shields at Pie in the Sky Studios
Weekly on the Arts hosts Irina De Vilhena and Kyle Shields at Pie in the Sky Studios

In Toronto’s cultural kitchen, a dish named Weekly on the Arts has begun to bubble. Hosts for this upcoming weekly TV show are Irina De Vilhena and Kyle Shields. Featured segments cover visual artists, collectors, curators, museum directors, art magazines, auction houses, art galleries and art dealers. Shooting began this spring at Pie in the Sky Studios, with rushes from the first batch of digital reels already in post production.  

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Beverly Buchanan: Shacks and Legends, 1985-2011

Opening at Andrew Edlin Gallery in New York, curated by Aurélie Bernard Wortsman https://www.edlingallery.com
March 20 – May 1, 2021 

An excerpt from the gallery press release: “A storyteller, Buchanan often attached to her sculptures handwritten or typed narratives, which she referred to as “legends,” that gave voice to a cast of characters, some remembered and others imagined. Sometimes she stapled them to the underside of a piece. In one of her favorite works, Orangeburg County Family House, 1993, Buchanan wrote in Sharpie on the outer sides of the structure the names of families from her hometown which she took from her high school yearbook and a calendar from her local church.”

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The Universe-Makers

The Work of Bassmi Ibrahim, Dellamarie Parrilli, Victoria Lowe, John Lyon Paul, and Anne Marchand https://bit.ly/ccpunimakgrp

by Dominique Nahas

Bassmi Ibrahim, Isness 136, 2016, mixed media on panel, 48 x 36 inches
Bassmi Ibrahim, Isness 136, 2016, mixed media on panel, 48 x 36 inches

Bassmi Ibrahim, Dellamarie Parrilli, Victoria Lowe, John Lyon Paul, and Anne Marchand are our universe-makers. To place their highly differentiated abstract aesthetic visions together so that they seem to react and inspire each other reminds me that this exhibition of visual persuasions is perhaps like visual chamber music of individual voices, heard collectively. These individual voices, passionately unique, create indelible experiences for the beholder.  

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Adrian Ghenie: The Hooligans

by Mary Hrbacek

Adrian Ghenie, The Impressionists, 2020, oil on canvas, 86-5/8″ × 118-1/8″ © Adrian Ghenie, courtesy Pace Gallery.

Pace presents “Adrian Ghenie: The Hooligans,” an exhibition of nine large-scale semi-abstract oil paintings and three charcoal drawings rendered on paper. The term “hooligans” refers to an underground group of individuals who ignore the limitations of polite society, shaping their lives to be free of constraints. In his powerful new works, Ghenie explores the artists who formed movements that rocked established academies, challenging the status quo of their times with new visions of transformed realities, reinvigorating art in the process.

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