dArt Magazine’s Playing Card Feature

by Steve Rockwell

dArt magazine is pleased to introduce TWINNING, the application of a game structure to its Playing Card feature. When presented with cards bearing images from dArt back issues cropped to playing card size, a participant is asked to pair up any two from cards presented. While the choice on the surface may be no more profound than “liking the combination,” something deeper may have been at the root of the picks. Even if this is not the case, the resultant pairing of images affords the chance to answer questions that the art itself may be posing. This had certainly been true for writer Bruce Bauman, who in his The Empty Deep article about Gehard Richter said of the exhibition that it “forced me to reevaluate why I write about art.”

Cropped details of Gerhard Richter’s 1982 oil on canvas, Two Candles (Zwei Kerzen), and on the right Deiter Mammel’s Saddy. Collage produced 2021 by Steve Rockwell on dArt International paper over pine frame, 8.5″ x 10″
Karin Mamma Anderson (left) and Philip Taaffe were “twinned” by dArt contributor Gae Savannah. The Anderson image was cropped from the Emese Krunák-Hajagos article When Darkness Falls in the Fall 2016 edition of dArt. The Philip Taaffe image came from the same dArt edition and was part of an article by Christopher Hart Chambers, Abstract But Not.
The above eight playing cards-sized images were cropped from dArt back issues. From left to right: Karin Mamma Anderson, Deiter Mammel, Alberto Giacometti, Kurt Schwitters, Philip Taaffe, Joe Goode, bunny and carrots from a Katharine Carter and Associates ad, and Gerhard Richter.

This TWINNING of images was inspired by a recent visit to the home of collector and former dArt associate, Roy Bernardi, when presented with eight of my playing card works mounted on dArt International paper. Two had stood out as ones that he preferred: Richter’s Two Candles and Saddy, an acrylic on canvas painting by Deiter Mammel, cropped from the dArt advertisement of his 2016 HOT exhibition at Christopher Cutts Gallery in Toronto.

Every copy of the coming edition of dArt International magazine will be unique. The projected signed limited edition will feature dArt‘s “Playing Cards,” hand cut from back issues and tipped into a reproduced image of a dArt International paper mat.

Images from past dArt magazines trimmed to playing card size.
Images from past dArt magazines trimmed to playing card size.
A printed image of the work of Julian Schnabel cut to playing card dimensions by Steve Rockwell from an article on the artist that appeared in the Fall 2010 edition of dArt (#27).

Pick a Number Between 1 and 99

The Artwork that Led to the Publication of a Magazine

by Steve Rockwell

Steve Rockwell, Pick a Number between 1 and 99 (detail), 1987, ink on printed bond paper, 42.5 inches x 12 feet 10 inches
Steve Rockwell, Pick a Number between 1 and 99 (detail), 1987, ink on printed bond paper, 42.5 inches x 12 feet 10 inches

I had dropped out of the art scene already in 1972. When I came up with the idea for Pick a Number Between 1 and 99 in 1987, my contact with people I had known from art school and the early studio days had all but ceased. To quote Bob Dylan’s Like a Rolling Stone, professionally I was essentially “…a complete unknown.” Distanced from my past efforts, my future presented a blank slate. The situation was at once liberating, yet tinged by a sense of urgency.

Continue reading “Pick a Number Between 1 and 99”

Travel Light

by Christopher Hart Chambers

Mary Jones, Tinkering
Mary Jones, Tinkering, oil, spray enamel, aluminum leaf, and acetate X-Ray print on canvas, 14″ x 11″

My father had a brain tumor. His little sister, my aunt Peg, also had an acoustic neuroma. Her’s went malignant and she died. The fifth neurosurgeon screwed a specially built helmet onto Dad’s skull to blast his growth with radiation from 360 degrees. Continue reading “Travel Light”

The 1947 Progressive Artists Group: Painters for a Newly Free India

by Siba Kumar Das

M. F. Husain, Yatra, 1955
M. F. Husain, Yatra, 1955, oil on canvas, H. 33 1/2 x W. 42 1/2 in. (85.1 x 108 cm)
Collection Kiran Nadar Museum of Art, New Delhi

It’s not often that a new art movement shoots into life just as a nation needs it socio-politically. This is exactly what happened in 1947, the year India threw off the yoke of British imperial rule, when a group of young artists banded together in Mumbai (then Bombay) to launch the Progressive Artists’ Group with a view to creating, in the words of its manifesto, a “new art for a newly free India.”

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Eozen Agopian at the Greek Consulate (New York)

by Jonathan Goodman

Eozen Agopian, Nicholas Space, 2018
Eozen Agopian, Nicholas Space, 2018, acrylic, thread and fabric on canvas,
100 X 90 cm (39.37 X 35.4”)

Of Armenian descent but born in Greece, where she now lives (with regular visits to New York), Eozen Agopian was educated in the United States – at Pratt Institute for her master’s degree and at Hunter College for her bachelor’s of fine arts. Her recent show, expertly curated by the art historian Thalia Vrachopoulos, The Fabric of Space, at the Greek consulate in New York City, enabled visitors to experience her highly worked art, dependent on cloth and thread, nearly as luminous as a Russian icon but also dedicated to the complex vectors and planes of modernist painting. Continue reading “Eozen Agopian at the Greek Consulate (New York)”