Hyperphantasia @ Artego

by D. Dominick Lombardi

YoAhn Han, Merman’s Dream (2022), acryla gouache, watercolor, yupo paper collage and resin on panel (all images courtesy of the artist)
YoAhn Han, Merman’s Dream (2022), acryla gouache, watercolor, yupo paper collage and resin on panel (all images courtesy of the artist)

The exhibition title, Hyperphantasia, refers to the capability of experiencing vivid mental pictures. Opening on September 1st at Artego gallery in Queens, NY, artists YoAhn Han and D. Dominick Lombardi will present works that feature some of those visual flashes that often occur during the creative process, where subconscious elements can end up on a painting, drawing or sculpture. YoAhn Han has many sources of imagery, most notably his fluctuating health issues, homosexuality compared with his strict Catholic upbringing, and the fact that he has roots in two very different cultures: South Korea and the US. For most of D. Dominick Lombardi’s career, he has relied on the collective unconscious for guidance and inspiration, resulting in loosely wound drawings, various responses to materials and colors, and visual alternatives received when working. Together, they bring a broad spectrum of what can result with such conditioning, from the powerful and poetic paintings of Han, to the darkly comedic socio-political observations of Lombardi.

D. Dominick Lombardi, CCWSI 126 (2022), alkyd and oil on linen previously painted in 1981 and 2007, 25" x 26"
D. Dominick Lombardi, CCWSI 126 (2022), alkyd and oil on linen previously painted in 1981 and 2007, 25″ x 26″

With Han and Lombardi, the swings in the content of their narratives are multi-layered and visually complex, wound around a strong pull from the past. Han refers to his paintings, which are composed of a variety of painting media, cut paper and resin as an “intersection of the imagery of my homeland Korea, together with Boston, in my own aesthetical conversion.” Han grew up in Chuncheon, South Korea, and maintains a strong bond with that culture. This results in a tendency to fold into his art, representations of the landscape and architecture, mixed with sexual references such as flowers, phallic symbols and the female praying mantis that consumes its male partner after mating – haunting elements that give his art its otherworldly, dreamy feel. In addition, his medical condition, which often causes temporary paralysis, has prompted Han’s obsession with the limitations of being. As a result of all these prompts, Han is clearly reaching for truth, enlightenment and a place where all of the aspects of his life can coalesce in a beautiful and brilliant dreamscape.

D. Dominick Lombardi, CCWS 99 (2020), acrylic, ink and charcoal on paper on canvas, 24" x 38"
D. Dominick Lombardi, CCWS 99 (2020), acrylic, ink and charcoal on paper on canvas, 24″ x 38″

Lombardi utilizes past prompts too, but in a more physical sense, as he often repurposes old paintings and drawings to create his multi-layered narratives. His process includes past life drawings done as classroom demonstrations, subconscious thoughts that inspire the lines of his ‘stickers’, old studies for paintings and sculptures, and previously painted canvases to help him to resolve or reimagine his past. Working often with flashes of shape suggestions, colors and compositional changes, Lombardi is also driven by the fleetness of life. However, what triggers most of Lombardi’s art is reliving past thoughts and experiences through repurposing, the utilization of input from the collective unconscious, and the sway of creative editing. Repurposing also occurs in his sculptures, as all of the objects in his work are found. However, subject to gravity, the structure and result of each sculpture is a bit more preplanned. 

Yoahn Han, Taboo (2021), mica, Acryla gouache, watercolor, paper pulp, yupo paper and resin on panel, 36” x 60”
Yoahn Han, Taboo (2021), mica, Acryla gouache, watercolor, paper pulp, yupo paper and resin on panel, 36” x 60”

The exhibition dates for Hyperphantasia are September 1 – September 30, with an artist reception on Saturday, September, 10. Artego is located at 32-88 48Th Street, Queens, NY 11103.

dArtles: Weekly on the Arts

by Steve Rockwell

Weekly on the Arts hosts Irina De Vilhina and Kyle Shields at Pie in the Sky Studios
Weekly on the Arts hosts Irina De Vilhena and Kyle Shields at Pie in the Sky Studios

In Toronto’s cultural kitchen, a dish named Weekly on the Arts has begun to bubble. Hosts for this upcoming weekly TV show are Irina De Vilhena and Kyle Shields. Featured segments cover visual artists, collectors, curators, museum directors, art magazines, auction houses, art galleries and art dealers. Shooting began this spring at Pie in the Sky Studios, with rushes from the first batch of digital reels already in post production.  

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Liz Larner: As Stars and Seas Entwine

Regen Projects in Los AngelesMarch 27 – May 22, 2021

Detail of Liz Larner work combining plastic refuse with acrylic paint.

“Plastics…were used in furniture, clothing, containers, appliances, just about everything. Sometimes the poisons leached into food or water and caused cancer, and sometimes there was a fire and plastics burned and gassed people to death…. The only place that has enough of it to be a real danger is right here.” — Octavia E. Butler, Adulthood Rites, 1988

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Beverly Buchanan: Shacks and Legends, 1985-2011

Opening at Andrew Edlin Gallery in New York, curated by Aurélie Bernard Wortsman https://www.edlingallery.com
March 20 – May 1, 2021 

An excerpt from the gallery press release: “A storyteller, Buchanan often attached to her sculptures handwritten or typed narratives, which she referred to as “legends,” that gave voice to a cast of characters, some remembered and others imagined. Sometimes she stapled them to the underside of a piece. In one of her favorite works, Orangeburg County Family House, 1993, Buchanan wrote in Sharpie on the outer sides of the structure the names of families from her hometown which she took from her high school yearbook and a calendar from her local church.”

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