The Rich Imagination of Jacques Roch: Sensuousness and Impertinent Play

by Dominique Nahas
Jacques Roch, The Kiss Of The Jellyfish, 1986
Jacques Roch, The Kiss Of The Jellyfish, 1986, acrylic on canvas, 54 x 66 inches

The current exhibition at Kim Foster Gallery in New York City allows us to experience the states-of-mind that pre-occupied, and occupied the late, remarkable artist Jacques Roch (1934-2015). In his notes Roch writes: “… I was born with the condition of the wide-awake dreamer…. The drawn line, clear on a colored ground, held the systems of shapes like a luminous net. The slapstick mood and lushness of color rendered less threatening my private bestiary of violent instincts, bawdy manners, diffuse fears, contagious glee, and even, sometimes, serenity…Continue reading “The Rich Imagination of Jacques Roch: Sensuousness and Impertinent Play”

Confluence at The Sylvia Wald and Po Kim Art Gallery in New York City

Keith Kattner, The Four Seasons, Winter, 2017
Keith Kattner, The Four Seasons, Winter, 2017, oil on canvas, 24″ x 30″s
by Robert Curcio

Confluence is an unassuming yet poignant and sincere exhibition featuring Keith Kattner with seven American and Korean artists that are working in parallel only to converge at this moment of exhibition. The exhibit joins together a variety of cultures, memories and traditions with innovation to address underlying personal, artistic and world view concerns. Continue reading “Confluence at The Sylvia Wald and Po Kim Art Gallery in New York City”

“Say, sea,” @ happylucky no. 1

by D. Dominick Lombardi
Buick Exposure (2018)
Elise P. Church, Buick Exposure (2018), acrylic and gesso on bed sheet, 81 x 77 inches

I am always impressed by how a spirited art gallery exhibition can enliven the most dismal of days. Even with many of the nearby stores shuttered on one particular block of Nostrand Avenue, Say, sea at happylucky no. 1 gallery easily brightens my chilly and overcast Sunday afternoon. Continue reading ““Say, sea,” @ happylucky no. 1”

Three New Exhibitions at the Hammond Museum & Japanese Stroll Garden

by D. Dominick Lombardi
Sam Bartman, Majestic Waters (2001)
Sam Bartman, Majestic Waters (2001), mixed media on reflective plastic sheet, 17 x 17 inches

With three exhibitions opening at the Hammond Museum, the big surprise is the work of Sam Bartman. Born in Brooklyn, NY in 1922, Bartman has spent the last 60 years of his life creating stirring paintings that combine some of the most the incompatible materials. In experimenting with what he calls his “special sauce”, Bartman has somehow tamed a mix of resins, varnishes, motor oil, glitter and automotive paints with oils and acrylics that results in everything from endlessly crackling surfaces and minute swirling storms of color. There are even the occasional brushstrokes that push the variously drying materials around leaving fossil like impressions of battered brush hairs sorrowfully spent in a furious wake of swished paint. Continue reading “Three New Exhibitions at the Hammond Museum & Japanese Stroll Garden”