Humans have always wanted to save their memories. From the beginning of history, they carved them into stones, wrote them on parchments, made millions of photographs or selfies. Iris Häussler buried the items that hold her memories in wax – literally. You might think: a nice try, but it won’t hold, it’ll melt – but you’re wrong.
Continue reading “Lost Gazes: Iris Häussler’s Wax Works From the 1990s”
It’s no secret that water has its own unique attraction. Some of our best memories of youth often center around water, especially in moments when the summer’s oppressive heat is quelled by a dip in a cold lake, stream or pool where games and adventures, big and small, take place.
Continue reading “Water Works”
The Artwork that Led to the Publication of a Magazine
by Steve Rockwell
I had dropped out of the art scene already in 1972. When I came up with the idea for Pick a Number Between 1 and 99 in 1987, my contact with people I had known from art school and the early studio days had all but ceased. To quote Bob Dylan’s Like a Rolling Stone, professionally I was essentially “…a complete unknown.” Distanced from my past efforts, my future presented a blank slate. The situation was at once liberating, yet tinged by a sense of urgency.
The current offering at John Davis Gallery is the ideal combination of excellent art and a carefully prepared and perfectly installed exhibition. As a result, Ron Milewicz strikingly beautiful landscapes immediately capture and hold your attention as you enter the space. Opposite the entrance of the gallery hangs the most spiritual work in the show, Sun and Oak (2019).
Continue reading “Ron Milewicz: Circumstances”
Earlier in February photographer Leah Oates opened her Transitory Space # 9 exhibition at Black Cat Artspace, a small storefront gallery near Dundas and Roncesvalles in Toronto. Now a resident of the city, Leah Oates had founded and run Station Independent Projects, a Lower East Side gallery in New York City. Her recent work centers on Toronto’s Cedarvale Ravine and Don Valley, the ninth in the Transitory Space group of works.
Continue reading “Leah Oates: Photographic Monuments to the Ephemeral in Nature”
The Samuel Dorsky Museum of Art stands as a consistent reminder that a regional museum can play a major role in the presentation and understanding of Contemporary Art, as well as offering a showplace for antiquity and Modern Art. Currently, the museum features four outstanding exhibitions that are presented thoughtfully and with a very high level of professionalism.
My father had a brain tumor. His little sister, my aunt Peg, also had an acoustic neuroma. Her’s went malignant and she died. The fifth neurosurgeon screwed a specially built helmet onto Dad’s skull to blast his growth with radiation from 360 degrees.
Continue reading “Travel Light”
It’s not often that a new art movement shoots into life just as a nation needs it socio-politically. This is exactly what happened in 1947, the year India threw off the yoke of British imperial rule, when a group of young artists banded together in Mumbai (then Bombay) to launch the Progressive Artists’ Group with a view to creating, in the words of its manifesto, a “new art for a newly free India.”