Deep in the Shallows

Michael Zansky at Herron School of Art+Design, Indiana University, Indiana

by Dominque Nahas

At the Herron School of Art + Design Galleries students and faculty at Indiana University were lucky enough to become immersed and enmeshed in the exhibition Deep in the Shallows curated by the galleries’ new director Max Weintraub who has an eye for installation. This remarkable show brings together a series of 2016-17 art works on burnt paper and carved plywood and acrylic produced by the New York based artist Michael Zansky who draws and carves using both hands equally. Eleven of Zansky’s works belonging to his Saturn Series, plywood paintings measuring 16 feet by 12 feet, are showcased at Herron. Continue reading “Deep in the Shallows”

Editorial Contributors

D. Dominick Lombardi

D. Dominick Lombardi is represented by Kim Foster Gallery in New York, NY and Prince Gallery in Copenhagen, Denmark. Since 1978, Lombardi has curated over 100 exhibitions in a variety of museums and galleries. Titles include: Water Over the Bridge, Tondo, Tondo, Tondo, Duchamp’s Plumbing, Shaky Ground, reVision, Through the Veil of the Soul,  HEAD, Eye on the Storm, In Their Own World, Monkey Spoon, Anonymous, Bóm: How art can disrupt, reorient or destroy, Fear is a Four Letter Word, Speaking in Strings: Ken Butler and Kurt Coble, Critics Select I & II, Over the Top – Under the Rug, FUNKADELICIDE, The Impact of War, The Waking Dream, The Tradition  of  Icons and Champions of Modernism: Non-Objective Art of the 1930s & 40s and Its Legacy. For past 21 years, Lombardi’s 400 plus features, interviews and art reviews have appeared in such publications as as The New York Times (1998-2005), The Huffington Post (2012-present), ARTslant (2012-14), Art in Asia (S. Korea) (2007-09), Public Art and Ecology (China) (2011-12), Sculpture (1999-present), dART (2005-present), Art Papers (2004), ARTnews (1997), ARTlies (2004-09), Juxtapoz (2002), New Art Examiner (1997-98), Night (1996-97), Art New England (1997-99), NYARTS magazine (2004-09) and culturecatch.com (2006-present) among others.

Dominique Nahas

Dominique Nahas is an independent curator and critic based in Manhattan. He teaches critical studies at Pratt institute. He is currently writing books on the work of artists Allison Stewart and Amer Kobaslija.

Christopher Hart Chambers

Christopher Hart Chambers is an artist based in NYC. He also writes about art for several periodicals and occasio-nally curates exhibitions. Last year the Nassau County Museum of Art’s Contemporary Gallery featured a solo exhibition of his work. Also last year he co-curated with Al Diaz the Graffiti Street Art exhibition at the Bishop Gallery in Bedstuy, NY. www.christopherchambers.com

 

Emese Krunák-Hajagos

Emese Krunák-Hajagos is an art writer with publications in dArt International magazine (Toronto/Montreal/New York/San Antonio), NY Arts (New York), Artes Magazine (Connecticut), Huma 3 (Madrid/Venice), Balkon (Budapest), Interpress Graphic (London/Prague/Budapest). She writes in English and Hungarian and a few of her articles are translated into Spanish. She is member of the International Association of Art Critics (AICA). Emese is co-founder and co-publisher of artoronto.ca, an online art magazine covering the visual art scene in Toronto. Her holistic approach brings together the history, philosophy and cultural atmosphere of the times, providing a more complex understanding of the art. She lives in Toronto.

Siba Kumar Das

Siba Kumar Das is a former Indian diplomat and a United Nations official who writes about art – an interesting thing to do when a global art is coming into being. Serving the United Nations Development Program in New York and several developing countries, he addressed global development challenges at international and local levels, concentrating on poverty eradication and the reduction of inequalities and exclusion. He now lives in the United States as a citizen, splitting his time between New York City and upstate New York. He has published articles on artists living in the Upper Delaware Valley, and is presently focusing on art in a more global context. His experience in development and interest in art has brought home to him that artistic creation and development success are born in similar crucibles.

Gae Savannah

Gae Savannah is a sculptor/writer based in New York City. She works
in new materials including plastics. Savannah also writes for Sculpture magazine. She teaches Contemporary Art, Film, and Writing in the MFA program at School of Visual Arts.

Julie Garisto

A Largo High and USF grad who’s currently enrolled in University of Tampa’s Creative Writing MFA program, Julie Garisto is an assistant editor/contributor at the central Florida nonprofit arts agency Creative Pinellas, where she covers arts and music events. Julie also contributes to the Tampa Bay Times as well as other publications. She served as arts and entertainment editor for Creative Loafing (2010-2015).

A 21st Century Symbolism: Susan Schwalb’s Metalpoint Art

Susan Schwalb, Orchid Transformation #2, 1978, silver and copperpoint on clay coated paper, 24” x 18”

by Siba Kumar Das

Susan Schwalb is at once an artist of this world and a transcendent artist. Her drawings and paintings are abstract, decidedly manifestations of the world’s geometry; they echo the belief of Latin American modernist Joaquin Torres-Garcia that geometry provides the artistic and spiritual scaffolding for all true art, in all ages and cultures. Deploying minimalism in lyrical mode, Schwalb’s art is also allusive and suggestive – a contemporary reinvention of the Symbolism of the late 19th century. It extends with great virtuosity the potential of metalpoint to evoke a numinous effect through delicacy, fineness, and a shimmering luminousness. Take an attentive look at a work of hers and you will be transported. Continue reading “A 21st Century Symbolism: Susan Schwalb’s Metalpoint Art”

Ways of Marking – Mohammed Kazem at Aicon Gallery in New York City

by Siba Kumar Das

Located on a quiet street slowly stirring into economic life after years in the doldrums, Aicon Gallery has taken on a task that surely would have pleased Andre Malraux. Novelist, art theorist, Minister of Culture under Charles de Gaulle, Malraux said half a century ago, “In our imaginary museum [that is, the world of art] the great art of Europe is but one great art among others …” Continue reading “Ways of Marking – Mohammed Kazem at Aicon Gallery in New York City”

Spirit Faces: Anna-Wili Highfield at Olsen Gruin in New York City

by Christopher Hart Chambers

Up front by the gallery’s storefront window on the Orchard Street strip on the Lower East Side of Manhattan, which is now perhaps the premier location for current fine art, stands a construction of sheet brass shards, with straight, thin brass rods projecting outwards in all directions, extending like rays of light or exclamation points. Each has a pearl at the end. Two life sized cut outs of female hands gloved in black spray paint are scratched with squiggly linear designs revealing the underlying brass color. Continue reading “Spirit Faces: Anna-Wili Highfield at Olsen Gruin in New York City”

Journey of the Spirit: Jizi at WhiteBox in New York City

Jizi, art, china
Jizi, Ark from Heaven, 2013, ink on paper, 124 x 249 cm / 48.75” x 98”

by Dominque Nahas

JIZI: Journey of the Spirit is an eye-opening exhibition of exhilarating contemporary shanshui style works made of ink on paper by one of the originators of China’s “New Ink Painting” school of artists, Wang Yunchan (1941- 2015), otherwise known as Jizi. Jizi was not academically trained but was an erudite self-educated individual steeped in Eastern and Western traditions of literature and painting. Continue reading “Journey of the Spirit: Jizi at WhiteBox in New York City”

dArt International Back Pages

by Steve Rockwell

“Stuart Regen, a prominent art dealer and the executive producer of the highly successful film Leaving Las Vegas, has died. He was 39.” So read the August 20, 1998 obituary in the Los Angeles Times. Earlier that year Regen had been featured on the cover of the premier issue of dArt International with his dog, Gordo. Regen was delighted to have had Gordo as the cover dog for the feature story, Gallery Dogs. Shaun Caley, Regen’s widow confided in me that he had proudly showed it off to the nurses in the hospital.

dArt International, really an afterthought to the bookwork, Meditations on Space, ended up serving as a continuation of it – the magazine now a basket into which leftover material might be tossed. The photos of Stuart and Gordo being prime examples. Continue reading “dArt International Back Pages”