Travel Light

by Christopher Hart Chambers

Mary Jones, Tinkering
Mary Jones, Tinkering, oil, spray enamel, aluminum leaf, and acetate X-Ray print on canvas, 14″ x 11″

My father had a brain tumor. His little sister, my aunt Peg, also had an acoustic neuroma. Her’s went malignant and she died. The fifth neurosurgeon screwed a specially built helmet onto Dad’s skull to blast his growth with radiation from 360 degrees. Continue reading “Travel Light”

The 1947 Progressive Artists Group: Painters for a Newly Free India

by Siba Kumar Das

M. F. Husain, Yatra, 1955
M. F. Husain, Yatra, 1955, oil on canvas, H. 33 1/2 x W. 42 1/2 in. (85.1 x 108 cm)
Collection Kiran Nadar Museum of Art, New Delhi

It’s not often that a new art movement shoots into life just as a nation needs it socio-politically. This is exactly what happened in 1947, the year India threw off the yoke of British imperial rule, when a group of young artists banded together in Mumbai (then Bombay) to launch the Progressive Artists’ Group with a view to creating, in the words of its manifesto, a “new art for a newly free India.”

Continue reading “The 1947 Progressive Artists Group: Painters for a Newly Free India”

Eozen Agopian at the Greek Consulate (New York)

by Jonathan Goodman

Eozen Agopian, Nicholas Space, 2018
Eozen Agopian, Nicholas Space, 2018, acrylic, thread and fabric on canvas,
100 X 90 cm (39.37 X 35.4”)

Of Armenian descent but born in Greece, where she now lives (with regular visits to New York), Eozen Agopian was educated in the United States – at Pratt Institute for her master’s degree and at Hunter College for her bachelor’s of fine arts. Her recent show, expertly curated by the art historian Thalia Vrachopoulos, The Fabric of Space, at the Greek consulate in New York City, enabled visitors to experience her highly worked art, dependent on cloth and thread, nearly as luminous as a Russian icon but also dedicated to the complex vectors and planes of modernist painting. Continue reading “Eozen Agopian at the Greek Consulate (New York)”

The Cove Pop-Up Exhibition

by D. Dominick Lombardi

Untitled, Raymond J.
Untitled, Raymond J., color pencil on paper

Once in a while I stumble upon an exhibition that really opens my eyes and reorients my thinking and understanding of the creative process. The Cove Pop Up exhibition here in Providence, RI, which includes paintings, drawings, sculptures, ceramics and utilitarian objects, offers a great number of art works by talented individuals who are dealing with varying degrees of debilitating issues. Continue reading “The Cove Pop-Up Exhibition”

The Rich Imagination of Jacques Roch: Sensuousness and Impertinent Play

by Dominique Nahas

Jacques Roch, The Kiss Of The Jellyfish, 1986
Jacques Roch, The Kiss Of The Jellyfish, 1986, acrylic on canvas, 54 x 66 inches

The current exhibition at Kim Foster Gallery in New York City allows us to experience the states-of-mind that pre-occupied, and occupied the late, remarkable artist Jacques Roch (1934-2015). In his notes Roch writes: “… I was born with the condition of the wide-awake dreamer…. The drawn line, clear on a colored ground, held the systems of shapes like a luminous net. The slapstick mood and lushness of color rendered less threatening my private bestiary of violent instincts, bawdy manners, diffuse fears, contagious glee, and even, sometimes, serenity…Continue reading “The Rich Imagination of Jacques Roch: Sensuousness and Impertinent Play”

Confluence at The Sylvia Wald and Po Kim Art Gallery in New York City

Keith Kattner, The Four Seasons, Winter, 2017
Keith Kattner, The Four Seasons, Winter, 2017, oil on canvas, 24″ x 30″s

by Robert Curcio

Confluence is an unassuming yet poignant and sincere exhibition featuring Keith Kattner with seven American and Korean artists that are working in parallel only to converge at this moment of exhibition. The exhibit joins together a variety of cultures, memories and traditions with innovation to address underlying personal, artistic and world view concerns. Continue reading “Confluence at The Sylvia Wald and Po Kim Art Gallery in New York City”

“Say, sea,” @ happylucky no. 1

by D. Dominick Lombardi

Buick Exposure (2018)
Elise P. Church, Buick Exposure (2018), acrylic and gesso on bed sheet, 81 x 77 inches

I am always impressed by how a spirited art gallery exhibition can enliven the most dismal of days. Even with many of the nearby stores shuttered on one particular block of Nostrand Avenue, Say, sea at happylucky no. 1 gallery easily brightens my chilly and overcast Sunday afternoon. Continue reading ““Say, sea,” @ happylucky no. 1”

Three New Exhibitions at the Hammond Museum & Japanese Stroll Garden

by D. Dominick Lombardi

Sam Bartman, Majestic Waters (2001)
Sam Bartman, Majestic Waters (2001), mixed media on reflective plastic sheet, 17 x 17 inches

With three exhibitions opening at the Hammond Museum, the big surprise is the work of Sam Bartman. Born in Brooklyn, NY in 1922, Bartman has spent the last 60 years of his life creating stirring paintings that combine some of the most the incompatible materials. In experimenting with what he calls his “special sauce”, Bartman has somehow tamed a mix of resins, varnishes, motor oil, glitter and automotive paints with oils and acrylics that results in everything from endlessly crackling surfaces and minute swirling storms of color. There are even the occasional brushstrokes that push the variously drying materials around leaving fossil like impressions of battered brush hairs sorrowfully spent in a furious wake of swished paint. Continue reading “Three New Exhibitions at the Hammond Museum & Japanese Stroll Garden”

Photo-A-GoGo

Don Doe, Fille Sans Dot, Fille Avec Dot (2017)
Don Doe, Fille Sans Dot, Fille Avec Dot (2017), giclee, 22 x 15 inches

by Dominick Lombardi

Photo-A-GoGo presents art that has photography as an element, whether it is predominant or used as a minor accent, to show how the creative process now parallels or responds to the ubiquitous social digital/exchange mentality. We have the MIME, Instagram, Snapchat, all the ways we express or project our ideas or self-image – so the photograph, instead of being “worth a thousand words” is now as common as a mosquito in July. However, that does not mean that art or the intention behind it or the imagery utilized is, in the end, benign. Continue reading “Photo-A-GoGo”